{"id":809,"date":"2024-06-17T16:52:58","date_gmt":"2024-06-17T08:52:58","guid":{"rendered":"https:\/\/develop.cnexdoc.com\/tw\/zh\/?post_type=news&p=809"},"modified":"2024-06-26T15:54:49","modified_gmt":"2024-06-26T07:54:49","slug":"%e6%9c%80%e6%96%b0%e6%b6%88%e6%81%aftest","status":"publish","type":"news","link":"https:\/\/tw.cnexdoc.com\/en\/news\/809\/","title":{"rendered":"CCDF-15\/ IFG-4 Finalists Of The Preliminary Selection"},"content":{"rendered":"

The 15th edition of CNEX Chinese Documentary Forum (2024 CCDF-15) has announced the selected projects. This includes proposals submitted for IFG registration, a new record was set with the reception of 192 submissions. After lively discussions among five experienced industry judges during the initial selection, a total of 20 proposals have been chosen. These include\u00a0documentary projects in production invited\u00a0from the New Taipei City Documentary Awards, IM Film Festival, Fresh Pitch, TCCF of the Taiwan Creative Content Agency, and Docs by the Sea documentary training camp in Southeast Asia. The themes cover a wide range, including self-identity of people with disabilities and transgender individuals, women\u2019s bodily autonomy, folk beliefs, family roots, and the unique life journeys of world-class athletes.<\/p>\n

The 20 proposals selected for the 2024 CNEX Chinese Doc Forum (CCDF-15) will participate in several online and offline training sessions from July to September this year. From September 27 to 29, these proposals will be formally presented to documentary industry professionals and experts\/decision-makers from around the world. The goal is to target the international market, seek resources for co-production, distribution, and dissemination, and explore potential cooperation opportunities.<\/p>\n

*CCDF-15 \/ IFG-4 Collaborative Invitation Projects:
\nNew Taipei City Documentary Award Selection:\u00a0No Man is an Island
\nIn Moments Film Festival Selection:\u00a0Between the Cracks of Souls
\nFresh Pitch Selection:\u00a0Distance Within Reach
\nTCCF Selection:\u00a0Queer as Punk
\nDocs by the Sea Selection: Me, My Mother Favorite Monkey\u3001The Myth of Monsters<\/p>\n

\"1920x1080<\/p>\n

 <\/p>\n

Full list of CCDF-15 \/ IFG-4 Finalists of the Preliminary Selection.<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\u00a0<\/td>\n\n

Project Title<\/b><\/p>\n<\/td>\n

\n

CCDF\/
\n<\/b>IFG<\/b><\/p>\n<\/td>\n

\n

Director<\/b><\/p>\n<\/td>\n

\n

Producer<\/b><\/p>\n<\/td>\n

\n

Country\/Area<\/b><\/p>\n<\/td>\n<\/tr>\n

\n

1<\/span><\/p>\n<\/td>\n

\n

\u4e00\u751f\u4e8c\u547d
\n<\/span>Second Round<\/span><\/p>\n<\/td>\n

\n

CCDF\/
\n<\/b>IFG<\/b><\/span><\/p>\n<\/td>\n

\n

\u9673\u51a0\u541b<\/span><\/p>\n<\/td>\n

\n

\u5f35\u9298\u7d14<\/span><\/p>\n<\/td>\n

\n

Taiwan<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

2<\/span><\/p>\n<\/td>\n

\n

\u4e0a\u6e38
\n<\/span>Restless Farewell<\/span><\/p>\n<\/td>\n

\n

CCDF<\/b><\/span><\/p>\n<\/td>\n

\n

\u694a\u6960
\n<\/span>\u4f55\u6c9b\u82b8<\/span><\/p>\n<\/td>\n

\n

\u8b1d\u6292\u8c6a<\/span><\/p>\n<\/td>\n

\n

China<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

3<\/span><\/p>\n<\/td>\n

\n

\u4e69\u7de3
\n<\/span>Fate with God<\/span><\/p>\n<\/td>\n

\n

CCDF<\/b><\/span><\/p>\n<\/td>\n

\n

\u674e\u525b\u9f61
\n<\/span>\u8a31\u61f7\u6c11<\/span><\/p>\n<\/td>\n

\n

\u9673\u746d\u7f9a<\/span><\/p>\n<\/td>\n

\n

Taiwan<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

4<\/span><\/p>\n<\/td>\n

\n

\u6210\u70ba\u6bcd\u89aa
\n<\/span>Becoming Mother<\/span><\/p>\n<\/td>\n

\n

CCDF<\/b><\/span><\/p>\n<\/td>\n

\n

\u9673\u9a30<\/span><\/p>\n<\/td>\n

\n

\u9673\u9a30<\/span><\/p>\n<\/td>\n

\n

USA\u3001
\nChina
\n<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

5<\/span><\/p>\n<\/td>\n

\n

\u82b1\u82e5\u76db\u958b
\n<\/span>When the Flowers Bloom<\/span><\/p>\n<\/td>\n

\n

CCDF<\/b><\/span><\/p>\n<\/td>\n

\n

\u90b1\u9298\u6e90<\/span><\/p>\n<\/td>\n

\n

\u5ed6\u4ec1\u6167<\/span><\/p>\n<\/td>\n

\n

Taiwan<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

6<\/span><\/p>\n<\/td>\n

\n

\u6211\u77f3\u5982\u78d0
\n<\/span>Ababacar: My Stone in the Building<\/span><\/p>\n<\/td>\n

\n

CCDF<\/b><\/span><\/p>\n<\/td>\n

\n

\u5f35\u6960<\/span><\/p>\n<\/td>\n

\n

\u7941\u90c1<\/span><\/p>\n<\/td>\n

\n

China\u3001
\n<\/span>Senegal<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

7<\/span><\/p>\n<\/td>\n

\n

\u516d\u842c\u82f1\u91cc\u7684\u6cb3
\n<\/span>Sixty Thousand Miles of River<\/span><\/p>\n<\/td>\n

\n

CCDF<\/b><\/span><\/p>\n<\/td>\n

\n

\u5b6b\u63da<\/span><\/p>\n<\/td>\n

\n

\u8a31\u5c0f\u98db<\/span><\/p>\n<\/td>\n

\n

China<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

8<\/span><\/p>\n<\/td>\n

\n

\u5b9a\u88fd\u5bf6\u8c9d
\n<\/span>My Customized Baby<\/span><\/p>\n<\/td>\n

\n

CCDF\/<\/b>
\n<\/b>IFG<\/b><\/span><\/p>\n<\/td>\n

\n

\u5289\u975c<\/span><\/p>\n<\/td>\n

\n

\u5f35\u535a\u51e1<\/span><\/p>\n<\/td>\n

\n

China<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

9<\/span><\/p>\n<\/td>\n

\n

\u6211\u5c07\u505c\u7559\u5728\u54ea\u88e1
\nBetween the Cracks of Souls
\n<\/span><\/p>\n

IM\u5f71\u5c55\u9080\u8acb
\n<\/span>In Moments Film Festival <\/span>Selection<\/span><\/span><\/p>\n<\/td>\n

\n

CCDF<\/b><\/span><\/p>\n<\/td>\n

\n

\u674e\u8a69\u715c<\/span><\/p>\n<\/td>\n

\u00a0<\/td>\n\n

China<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

10<\/span><\/p>\n<\/td>\n

\n

\u90a3\u9ebc\u9060 \u9019\u9ebc\u8fd1
\nDistance Within Reach
\n<\/span><\/p>\n

\u65b0\u9bae\u63d0\u6848\u9080\u8acb
\n<\/span>Fresh Pitch Selection<\/span><\/p>\n<\/td>\n

\n

CCDF<\/b><\/span><\/p>\n<\/td>\n

\n

\u9673\u6021<\/span><\/p>\n<\/td>\n

\n

\u90b5\u6587\u975c<\/span><\/p>\n<\/td>\n

\n

China\u3001
\nUSA<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

11<\/span><\/p>\n<\/td>\n

\n

\u5f7c\u5cb8\u4e4b\u5cf6
\nNo Man is an Island
\n<\/span><\/p>\n

\u65b0\u5317\u5e02\u7d00\u9304\u7247\u734e\u9080\u8acb
\n<\/span>New Taipei City Documentary Award Selection<\/span><\/span><\/p>\n<\/td>\n

\n

CCDF<\/b><\/span><\/p>\n<\/td>\n

\n

\u51bc\u6f94\u694a<\/span><\/p>\n<\/td>\n

\n

\u9ec3\u60e0\u5075<\/span><\/p>\n<\/td>\n

\n

Hong Kong\u3001
\nTaiwan
\n<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

12<\/span><\/p>\n<\/td>\n

\n

\u9ad8\u6a13\u4e0a\u7684\u5979
\n<\/span>Freedom Lara<\/span><\/p>\n<\/td>\n

\n

CCDF<\/b><\/span><\/p>\n<\/td>\n

\n

\u8881\u6960\u831c<\/span><\/p>\n<\/td>\n

\n

\u9127\u82b7\u7469<\/span><\/p>\n<\/td>\n

\n

China<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

13<\/span><\/p>\n<\/td>\n

\n

\u6d6e\u52d5\u8457\u7684\u623f\u5b50
\n<\/span>House of Day, House of Night<\/span><\/p>\n<\/td>\n

\n

CCDF<\/b><\/span><\/p>\n<\/td>\n

\n

\u5289\u8212\u535a<\/span><\/p>\n<\/td>\n

\n

\u5289\u8212\u535a<\/span><\/p>\n<\/td>\n

\n

China<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

14<\/span><\/p>\n<\/td>\n

\n

\u7403\u540e\u91cd\u751f\u66fe\u96c5\u59ae
\n<\/span>The Yani Tseng Story<\/span><\/p>\n<\/td>\n

<\/p>\n

CCDF<\/b><\/span><\/p>\n<\/td>\n

\n

\u9673\u60df\u63da<\/span><\/p>\n<\/td>\n

\n

\u984f\u5349\u5a55<\/span><\/p>\n<\/td>\n

\n

Taiwan\u3001
\nUSA<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

15<\/span><\/p>\n<\/td>\n

\n

\u7345\u5b50\u592b\u4eba
\n<\/span>Lion Lady<\/span><\/p>\n<\/td>\n

\n

CCDF\/
\n<\/b>IFG<\/b><\/span><\/p>\n<\/td>\n

\n

\u912d\u6674\u6708<\/span><\/p>\n<\/td>\n

\n

\u59da\u7490<\/span><\/p>\n<\/td>\n

\n

USA\u3001
\n<\/span>China<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

16<\/span><\/p>\n<\/td>\n

\n

\u7576\u5927\u99ac\u58eb\u9769\u7684\u73ab\u7470\u4e0d\u518d\u67af\u840e<\/span>
\n<\/span>Roses Never Wilt in Damascus<\/span><\/p>\n<\/td>\n

\n

IFG<\/b><\/span><\/p>\n<\/td>\n

\n

\u7956\u5ee3\u5be7<\/span>
\n<\/span>\u5f90\u8587<\/span><\/p>\n<\/td>\n

\n

\u674e\u5927\u661f<\/span><\/p>\n<\/td>\n

\n

China\u3001
\nSyria
\n<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

17<\/span><\/p>\n<\/td>\n

\n

\u6234\u4e0a\u62f3\u5957\u7684\u85dd\u8853\u5bb6
\n<\/span>The Martial Artist<\/span><\/p>\n<\/td>\n

\n

CCDF<\/b><\/span><\/p>\n<\/td>\n

\n

\u5468\u62b1\u6a38
\nPaul Chu
\n<\/span><\/p>\n<\/td>\n

\n

\u9673\u67e5\u7406
\nCharlie Chen
\n<\/span><\/p>\n<\/td>\n

\n

Taiwan\u3001
\nAustralia
\n<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

18\u00a0<\/span><\/p>\n<\/td>\n

\n

Queer as Punk
\n\u6587\u7b56\u9662TCCF\u9080\u8acb
\nTCCF Selection<\/span><\/span><\/p>\n<\/td>\n

\n

CCDF<\/b><\/span><\/p>\n<\/td>\n

\n

\u66fe\u61b6\u96ef
\nYih Wen Chen
\n<\/span><\/p>\n<\/td>\n

\n

\u66fe\u61b6\u96ef
\nYih Wen Chen
\n<\/span><\/p>\n

Mandy Marahimin<\/span><\/p>\n<\/td>\n

\n

Malaysia<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

19<\/span><\/p>\n<\/td>\n

\n

Me, My Mother Favorite Monkey
\nDocs by the Sea\u9080\u8acb
\n<\/span>Docs by the Sea Selection<\/span>
\n<\/span><\/p>\n<\/td>\n

\n

IFG<\/b><\/span><\/p>\n<\/td>\n

\n

Vonny Kanisius<\/span><\/p>\n<\/td>\n

\u00a0<\/td>\n\n

Indonisia<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

20<\/span><\/p>\n<\/td>\n

\n

The Myth of Monsters
\nDocs by the Sea\u9080\u8acb
\nDocs by the Sea Selection<\/span>
\n<\/span><\/p>\n<\/td>\n

\n

IFG<\/b><\/span><\/p>\n<\/td>\n

\n

Beatrice Leong<\/span><\/p>\n<\/td>\n

\n

Beatrice Leong<\/span><\/p>\n<\/td>\n

\n

Malaysia<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

*\u6b64\u6392\u5e8f\u70ba\u63d0\u6848\u5b57\u9996\u7b46\u5283\u9806\u5e8f<\/p>\n","protected":false},"featured_media":1172,"template":"","class_list":["post-809","news","type-news","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/tw.cnexdoc.com\/en\/wp-json\/wp\/v2\/news\/809"}],"collection":[{"href":"https:\/\/tw.cnexdoc.com\/en\/wp-json\/wp\/v2\/news"}],"about":[{"href":"https:\/\/tw.cnexdoc.com\/en\/wp-json\/wp\/v2\/types\/news"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tw.cnexdoc.com\/en\/wp-json\/wp\/v2\/media\/1172"}],"wp:attachment":[{"href":"https:\/\/tw.cnexdoc.com\/en\/wp-json\/wp\/v2\/media?parent=809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}